If there’s one thing pop culture needs more of, it’s dragons. And impressive female protagonists (who aren’t played by Katherine Heigl). So if there are two things that pop culture needs more of, it’s dragons and non-Katherine Heigl female protagonists, so thank the saints that Rachel Hartman has appeared gloriously on the scene with her epic young adult fantasy novel Seraphina. In a setting that feels like alternate reality Renaissance France, Seraphina, a young prodigious court musician, must navigate the prejudices and politics between humans and dragons. The land of Goredd is struggling with an uneasy 40-year peace treaty that bind the two species, but old habits die hard. Seraphina has her own secrets and troubles to worry about, but her curiosity, stubbornness, and compassion team up to embroil her in the middle of Goredd’s cold war with the dragons.
Seraphina’s deep dark secret forms the foundation of the novel’s plot, and is an age-old, very human conflict: racism. Seraphina is a half-breed–her father, a human solicitor, married a dragon. She must hide her partially scaled body and her inhuman mental abilities from a world who would sooner stone her or drown her than accept such an abomination. As the assistant to the court musician, the task of remaining incognito is difficult enough, especially as her renown as a musical prodigy begins spreading, but when Seraphina gets wrapped up in a murder investigation lead by the headstrong Prince Lucian Kiggs, she finds it imperative but nearly impossible to keep her deadly secret hidden.
Seraphina’s dragon half gives her a logical strength Kiggs begins to find invaluable in his search for the cause of his uncle’s murder, but this half also brings nightmares–nightmares filled with grotesque, malformed beings–that nearly cripple Seraphina with their intensity. Facing her grotesques is the key to learning more about her own origins and learning how to reconcile her dual identity.
Seraphina is not your run-of-the-mill spunky, female lead who doesn’t care what boys think, who kicks down doors, and takes on the world with her scathing, witty remarks. She’s not your Elizabeth Bennett protagonist. She’s your Fanny Price protagonist. She is ever in the background, trained since birth to stay out of the spotlight. Seraphina is unsure of herself, having never been told her abilities are outstanding, but she is undeniably logical and intelligent. In this first installation of Hartman’s fantasy series, one can only assume this is Seraphina’s coming-of-age story and that her unique, relatable character will only continue to grow. Right now, she is a fledgling hero who steps up into the role because she must. When she discovers a unique ability that ties her to other half-breeds like her, Seraphina knows she must put aside her insecurities to do something no one else in Goredd can do. It’s the greatest sacrifice for a shy, introverted outcast like her: to shirk her ignominy and take up the mantle of “hero.”
Read this book if … you’re looking for fantasy and/or young adult fiction that breaks molds. Seraphina is a protagonist I can get behind, someone to whom I can relate. She isn’t some world-class hero or unbelievable beauty–just a normal young person who steps up when forced into an impossible situation. My empathy for her and Hartman’s world-building ability makes Seraphina the perfect book for some intelligent escapism. And for the saints’ sake, we need something other than post-apocalyptic teen romances in the YA genre.
Don’t read this book if … you generally avoid high fantasy–with swords and princes, magic and arranged marriages–or if your version of fantasy is more along the George R.R. Martin blood-and-incest stories. Seraphina is definitely a young adult novel, though geared toward an older teen.
This book is like … the lovely novels of Diana Wynne Jones, but without all the silliness and snark, something I have started attributing to the unique qualities of British fantasy authors. Hartman’s Seraphina brings to mind all of my favorite girl protagonists, like Sabriel of Garth Nix’s Abhorsen series or Harry Crewe of Robin McKinley’s The Blue Sword or any lead from a Hayao Miyazaki film. If you’re looking for content with female protagonists, secret hybrid powers, and a bunch of dragons for an older demographic, check out J.A. Pitts’s Sarah Beauhall series: Black Blade Blues, Honeyed Words, and Forged in Fire.