Tag Archives: Dragons

On Rachel Hartman’s “Shadow Scale” (Seraphina #2)

31 Mar

Shadow Scale [2015] by Rachel Hartman

Shadow Scale [2015] by Rachel Hartman

I am notoriously bad at finishing series. Fourteen-book Wheel of Time was no problem for me, but I generally take two to five years to finish a trilogy. There was no doubt in my mind, though, that I would be reading the sequel to award-winning young adult novel Seraphina. Rachel Hartman’s beefy Shadow Scale hit the shelves on March 10 and, while not with the fanfare of something like Twilight, thrilled a lot of readers who waited patiently (or not so patiently) for the continuation of the story of Seraphina Dombegh, the world’s favorite half-dragon girl. In book two of the Seraphina series, our hero confronts more of her own personal demons while trying to gather a force of others like her to save Goredd from an impending invasion of dragons. If Seraphina can’t come to terms with her own flaws in time, the land she knows and loves will be absolutely burninated.

In Seraphina [2012], the titular protagonist lived two lives: a public life as a court musician for the royalty of Goredd, and a private life as the progeny of human and dragon parents. While struggling to keep her taboo parentage a secret from her highly prejudiced countrymen, Seraphina finds herself wrapped up a murder investigation with the kind and bookish Prince Lucian Kiggs. Together, the unlikely pair must solve a mystery and navigate their way through increasingly hostile dragon-human relations in an era of fragile peace. But another discovery will change Seraphina’s life forever: the combination of dragon and human biology imbues her with extraordinary gifts … and she isn’t alone.

In Shadow Scale, Seraphina’s mixed race is out in the open. The people of Goredd struggle to come to terms with Seraphina’s birthright; the dragons must come to terms with the breakout of civil war between the conservative, racist Old Ard and the human-sympathizers; and Seraphina must come to terms with the fact that she isn’t the only person of mixed parentage. Her fast friends Kiggs and his betrothed Queen Glisselda hold down the proverbial fort while Seraphina ventures outside the realm of Goredd to search for the other half-dragons known as ityasaari. She plans to bind the ityasaari together to defend Goredd and her allies from the attacks of the genocidal Old Ard, but not all are willing to leave their respective hiding places–whether out of fear or hatred of the human society that rejected them for their biological makeup. As Seraphina crosses the plains of Ninys and the rainy mountain ranges of Samsam, she realizes she isn’t the only one trying to unite the ityasaari. Some strange force is bending the minds of Seraphina’s fellow half-dragons to an unknown and nefarious will. Can our hero be the savior of her people, defend Goredd, and fight this new mysterious power? Can she do all this without great and heartbreaking loss?

Mount Rainier

Seraphina searches out the other ityasaari through the mountainous terrain of Goredd’s neighboring countries. (Photo from “Ed Suominen“)

Hartman tackles a difficult topic in Shadow Scale that she had just barely touched the tip of in Seraphina: finding community. Seraphina grew up an outcast in her own home and survived adolescence by essentially closeting her identity. Now that she is outed, she wants nothing more than to find her true family by seeking out the ityasaari. The community she finds redefines her understanding of the meaning of belonging, but the relief she feels at finding it resonated with personal experiences of my own. Young people can expect to go through rough patches and sometimes feel utterly alone and misunderstood (that’s called hormones, kids), but there are some among us who feel extra alien, extra “other,” in a way that our traditional communities couldn’t possibly fathom. Seraphina addresses her otherness with a militant plan to unite ityasaari in forced communion. She might discover that people hate being bullied almost as much as they hate loneliness.

Not willing to pull any punches in her second book ever, Hartman also uses her fantasy realm of dragons and saints to comment on the power and folly of religion. Don’t get me wrong: Shadow Scale isn’t some didactic bludgeon of a book, but Seraphina comes across dangerous discoveries during her travels through the countryside, and some of those discoveries have her questioning the very foundations of her faith. The saints of Goredd are worshiped and served like deities but may not be all that they seem. Seraphina’s beliefs may waver if she can’t separate faith from religion.

The combination of Seraphina’s quest to reunite the ityasaari, the mystery of the Goreddi saints, the ongoing dragon civil war, the rivalry with the cloaked mind-controller, and a secret romance can overwhelm readers. The plot of Shadow Scale is overfull and not as tightly managed as its predecessor. I wonder if Hartman was unwilling to break the story up into two novels instead of one, wary of falling into the fantasy author syndrome of never-ending series. The author claims Seraphina’s story is a duology, but I’m hopeful we see more of the dragons and of Goredd, especially after all of the thorough world-building Hartman accomplished. Considering how she handled Shadow Scale‘s epic finale, Hartman proved to have cut her teeth and is ready for grander things.

The ityasaari aren't the only findings Seraphina comes across in her voyage. The truth of the ityasaari also poses a threat to the foundations of Goredd's saint-based religion.

The ityasaari aren’t the only findings Seraphina comes across in her voyage. The truth of the ityasaari also poses a threat to the foundations of Goredd’s saint-based religion. (Photo from “IBBoard“)

Read It: If you’re into the whole “half-dragon, half-human racial and social commentary set in a fantasy framework” thing, or if you’re just looking for entertainment with a fresh voice, you will want to read Rachel Hartman’s Seraphina and Shadow Scale. The series’ protagonist leads readers through an imaginative new world in which dragons and humans struggle to coexist, but Hartman’s accessible prose and wry humor keeps this fantasy story grounded. The Seraphina series connects readers of all ages with a character who is challenged to find a balance between two very different worlds and still find an identity all her own.

Don’t Read It: Don’t read Shadow Scale if you haven’t read the first book. That is literally the only reason I can think of not to read this book. In actuality, though, this novel is defined as a young adult novel, but some of the themes in both books of the Seraphina duology are a little heady for a younger child. Shadow Scale especially includes some rather dark trauma.

Similar Books: Thank God the young adult world is seeing its fare share of books with strong female heroines. If you’re looking for some more spunky, butt-kicking leading ladies, check out the Robin McKinley’s The Blue Sword (the second in a series, but it stands alone), Malinda Lo’s Ash, Kay Kenyon’s A Thousand Perfect Things (even though this is not YA), or Brandon Sanderson’s Mistborn. Of course, don’t forget to read the predecessor to this book, Seraphina.

Shadow Scale is only the second book Rachel Hartman has written, but it's as indicative as her debut that more great books are to come!

Shadow Scale is only the second book Rachel Hartman has written, but it’s as indicative as her debut that more great books are to come!

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On Kazuo Ishiguro’s “The Buried Giant”

17 Mar

The Buried Giant [2015] by Kazuo Ishiguro

The Buried Giant [2015] by Kazuo Ishiguro

Ten years have passed since the critically acclaimed, world-renowned author Kazuo Ishiguro published a novel, and the passage of time does interesting things to writers, even those as established as this Man Booker Prize-winner. Lauded for The Remains of the Day and Never Let Me Go, Ishiguro contributes a fantastic but vastly different addition to his repertoire. The Buried Giant, released to stores March 3, 2015, is a fantastical story of a journey through the land of King Arthur, and were it written by any other author, it would be shelved resolutely in the sci-fi/fantasy section of a bookstore, but I guess I should be grateful that this book is both stunning and working toward mainstreaming genre fiction. The next thing you know, Brandon Sanderson will be winning the Pulitzer or something. Watch out, world!

Ishiguro’s long-awaited seventh novel is not the traditional fantasy in the stereotypical sense of the label: unpronounceable made-up words, valiant heroes coming of age, and a fabricated back story longer than could fit in the 1,200 pages of the published product. Ishiguro’s fantasy is, in a handful of ways, much like his other novels: poignantly brief and excruciatingly sorrowful. The Buried Giant begins in a nameless hamlet in England. King Arthur is dead, and the England he united by sword and by law lies in an uneasy balance of Saxon and Briton. The people also lie under the spell of a heavy mist that suppresses the memories–both good and bad–of everyone it touches. The loss of memory transforms everyone into addled, helpless fools. People hunt for a missing child and then forget why they’re wandering through the woods. They set off down a road and 50 yards later can’t remember where they’re headed. Two elderly villagers, Axl and Beatrice, feel the nagging shade of a memory of a son they once had, and they set off to find him, in spite of their frailty and their foggy minds.

The English countryside is covered in a deep mist of forgetting. (Photo from "Carl Jones")

The English countryside is covered in a deep mist of forgetting. (Photo from “Carl Jones“)

Traveling from their small village, through cursed woods, over craggy mountains, toward their son’s village, the couple encounters a whole cast of references from Arthurian legend (half of which I’m sure I don’t even get). An ancient and doddering Sir Gawain quests with his equally ancient horse Horace to slay the she-dragon Querig who lives on top of the mountain. A young Saxon warrior quests to do the same, and when he crosses paths with our Axl and Beatrice, the couple is caught up in a story that will test the strength of their love as well as their memory. Before the wild world tears them apart from each, Axl and Beatrice must remember what they mean to one another.

One’s own memory is tricksy enough as it is, but when the topic of collective memory is addressed, history becomes a living entity unto its own. Think of how a nation or a society or even a family develops a collective memory through the retelling of an event or through the media or through trending, crowd-sourced narratives. We are constantly building our story as a group. When the mists of forgetting fall on the people of this story, ties are severed between present and past, between husband and wife. Beatrice is tormented with the idea of an incomplete memory, especially the memories of her son, whose name neither she nor Axl can recall. She and Axl have the opportunity to try and lift the curse, but is it worth remembering the pain of the bad memories just to experience the balm of the good ones?

Axl and Beatrice face many tests throughout their journey. Can they pass the ultimate test by proving their love to the boatman? (Photo from "Swaminathan")

Axl and Beatrice face many tests throughout their journey. Can they pass the ultimate test by proving their love to the boatman? (Photo from “Swaminathan“)

Ishiguro returns again and again to the concept of collective memory in his novels. In The Remains of the Day, especially, he discusses denial and misremembering through an aging butler struggling with memories of his involvement in dark deeds during World War II. The Buried Giant takes advantage of its fantasy genre to make the conversation of memory more blatant by making it more magical. Querig’s cursed breath descends on the land and forces a loss of collective memory for an entire generation. The horrors of that past are veiled in blissful forgetfulness, and the joys of a lifetime are only glimpsed in the corner of a dream. Ishiguro calls out humanity’s tendency to bury great tragedies to spare itself the pain and struggle of resolution. The collateral damage of this denial is that great joys and great accomplishments are also buried. Great loves and great progress are lost beneath the earth. Axl and Beatrice’s quest to find their son becomes a quest to remember–their son, their past, and their love for each other. In this beautiful novel that is at once lighthearted and tragic, Ishiguro produces a stunning story that is worth every moment of the ten years we waited for it.

“It would be the saddest thing to me, princess. To walk separately from you, when the ground will let us go as we always did.”

Read It: You don’t need to be a fan of Game of Thrones to enjoy this fantasy novel. In The Buried Giant, Kazuo Ishiguro addresses one of his favorite topics: the discrepancies of memory. The fantasy setting is a thin veil for the author’s deeply moving story about the fluidity of narrative, but it is also a deeply moving story, so whether your a scholar coming to study a contemporary master’s work or a casual reader like myself, just looking for an entertaining and skillfully rendered tale of adventure, look no farther than TBG.

Don’t Read It: You may not want to read this novel if dragons killed your parents or you have some blood feud with your Saxon neighbors. This novel doesn’t pull any punches when discussing the fiery political climate of the post-Arthurian era. Then again, and more likely, you may be expecting the Ishiguro of ten years ago, the Ishiguro of The Remains of the Day, and you’ll probably be disappointed. Gone is the subtler artifice of his earlier years, and if you don’t keep an open mind, his new style will turn you off, marvelous though it is.

Similar Books: I honestly can’t compare this novel to Ishiguro’s others, but if this is your first of his novels, please read The Remains of the Day to feel the power of his prose when Ishiguro reached what some would call the pinnacle of his literary career. Aside from this, The Buried Giant reminded me of classical epics like Virgil’s The Aeneid and Homer’s The Odyssey. Axl and Beatrice’s travels through the English countryside ring of older tales–tales of hellish paths and overcoming otherworldly challenges. For more reading on modern takes of Arthurian legend, read John Steinbeck’s The Acts of King Arthur and His Noble Knights.

Kazuo Ishiguro (Photo from "English PEN")

Kazuo Ishiguro (Photo from “English PEN“)

On Rachel Hartman’s “Seraphina” (Seraphina #1)

18 Nov
seraphina

Seraphina by Rachel Hartman takes readers to a world entirely believable and logical. It just happens to have dragons in it.

If there’s one thing pop culture needs more of, it’s dragons. And impressive female protagonists (who aren’t played by Katherine Heigl). So if there are two things that pop culture needs more of, it’s dragons and non-Katherine Heigl female protagonists, so thank the saints that Rachel Hartman has appeared gloriously on the scene with her epic young adult fantasy novel Seraphina. In a setting that feels like alternate reality Renaissance France, Seraphina, a young prodigious court musician, must navigate the prejudices and politics between humans and dragons. The land of Goredd is struggling with an uneasy 40-year peace treaty that bind the two species, but old habits die hard. Seraphina has her own secrets and troubles to worry about, but her curiosity, stubbornness, and compassion team up to embroil her in the middle of Goredd’s cold war with the dragons.

Dragons. They're so hot right now. Between games like The Elder Scrolls V: Skyrim and blockbuster hit shows like Game of Thrones, dragons have transcended the nerdy niche market they nested in, and are taking center stage in pop culture once again.

Dragons. They’re so hot right now. Between games like The Elder Scrolls V: Skyrim and blockbuster hit shows like Game of Thrones, dragons have transcended the nerdy niche market they nested in, and are taking center stage in pop culture once again.

Seraphina’s deep dark secret forms the foundation of the novel’s plot, and is an age-old, very human conflict: racism. Seraphina is a half-breed–her father, a human solicitor, married a dragon. She must hide her partially scaled body and her inhuman mental abilities from a world who would sooner stone her or drown her than accept such an abomination. As the assistant to the court musician, the task of remaining incognito is difficult enough, especially as her renown as a musical prodigy begins spreading, but when Seraphina gets wrapped up in a murder investigation lead by the headstrong Prince Lucian Kiggs, she finds it imperative but nearly impossible to keep her deadly secret hidden.

Seraphina’s dragon half gives her a logical strength Kiggs begins to find invaluable in his search for the cause of his uncle’s murder, but this half also brings nightmares–nightmares filled with grotesque, malformed beings–that nearly cripple Seraphina with their intensity. Facing her grotesques is the key to learning more about her own origins and learning how to reconcile her dual identity.

Music--combination of mathematics and passion

Seraphina’s dragon-like logic and human-like soulfulness makes her the best musician in all of Goredd. Think Mozart, but prettier and without the crazy.

Seraphina is not your run-of-the-mill spunky, female lead who doesn’t care what boys think, who kicks down doors, and takes on the world with her scathing, witty remarks. She’s not your Elizabeth Bennett protagonist. She’s your Fanny Price protagonist. She is ever in the background, trained since birth to stay out of the spotlight. Seraphina is unsure of herself, having never been told her abilities are outstanding, but she is undeniably logical and intelligent. In this first installation of Hartman’s fantasy series, one can only assume this is Seraphina’s coming-of-age story and that her unique, relatable character will only continue to grow. Right now, she is a fledgling hero who steps up into the role because she must. When she discovers a unique ability that ties her to other half-breeds like her, Seraphina knows she must put aside her insecurities to do something no one else in Goredd can do. It’s the greatest sacrifice for a shy, introverted outcast like her: to shirk her ignominy and take up the mantle of “hero.”

Speaking of dragons and unlikely heroes ... like San from Spirited Away, Seraphina's identity keeps her isolated from her peers, but her loyalty and unique inner strengths make her formidable.

Speaking of dragons and unlikely heroes … like San from Spirited Away, Seraphina’s identity keeps her isolated from her peers, but her loyalty and unique inner strengths make her formidable.

Read this book if … you’re looking for fantasy and/or young adult fiction that breaks molds. Seraphina is a protagonist I can get behind, someone to whom I can relate. She isn’t some world-class hero or unbelievable beauty–just a normal young person who steps up when forced into an impossible situation. My empathy for her and Hartman’s world-building ability makes Seraphina the perfect book for some intelligent escapism. And for the saints’ sake, we need something other than post-apocalyptic teen romances in the YA genre.

Don’t read this book if … you generally avoid high fantasy–with swords and princes, magic and arranged marriages–or if your version of fantasy is more along the George R.R. Martin blood-and-incest stories. Seraphina is definitely a young adult novel, though geared toward an older teen.

This book is like … the lovely novels of Diana Wynne Jones, but without all the silliness and snark, something I have started attributing to the unique qualities of British fantasy authors. Hartman’s Seraphina brings to mind all of my favorite girl protagonists, like Sabriel of Garth Nix’s Abhorsen series or Harry Crewe of Robin McKinley’s The Blue Sword or any lead from a Hayao Miyazaki film. If you’re looking for content with female protagonists, secret hybrid powers, and a bunch of dragons for an older demographic, check out J.A. Pitts’s Sarah Beauhall series: Black Blade Blues, Honeyed Words, and Forged in Fire.

Rachel Hartman's sequel to Seraphina is due to be released on March 10, 2015, and will be titled Shadow Scale.

Rachel Hartman‘s sequel to Seraphina will be titled Shadow Scale and is set to be released March 10, 2015. My horses are being held, but just barely.

On J.A. Pitts’s “Forged in Fire”

25 Sep
Make sure you grab a copy of Sarah Beauhall book #3, Forged in Fire!

Make sure you grab a copy of Sarah Beauhall book #3, Forged in Fire!

I think, at this point, I can officially classify myself as a Sarah Beauhall fangirl. When I saw the series as Powell’s for the first time, I decided I’d read it on a whim, not expecting anything more than brief entertainment or maybe something to write a scathing review on later. Lo and behold! I have to take back those thoughts of an unbeliever! Forged in Fire is J.A. Pitts’s third Sarah Beauhall installation, and I had more fun than ever. Pitts created a cast of full characters and a massive enough world to keep this series going strongly as Sarah Beauhall uncovers more dark magic, learns about a new secret order, and forms some important human bonds that help her understand the meaning of family.

Not that FiF is all touchy-feely. Don’t worry, Beauhall gets more than anyone’s fair share of epic fight scenes. This third book reads more like an action-packed, dragon-filled murder mystery as Beauhall investigates some gruesome deaths in the area–all of which seem to be connected to her and seem to be committed by a dangerous necromancer. In the meantime, Beauhall must find a way to pacify an ever-agitated Nidhogg, save a missing person, reconnect with her sister Megan, and raise several children (not all of them human), so to say she’s got her hands full would be to say necromancers are nasty business: a gross understatement. (Was that too much?)

Pitts's necromancer may just be scarier than Castlevania necromancer, but you'll just have to determine that on your own.

Pitts’s necromancer may just be scarier than Castlevania necromancer, but you’ll just have to determine that on your own.

The structure of this novel felt a little shakier, not quite as compact as the first two, and that may be due to the length, since Forged in Fire is a lot longer. But Pitts managed to hold my attention for a couple of reasons: 1) I’m a sucker for murder mysteries, especially serial killers (how did you know??); 2) as usual, the believable, fascinating, admirable characters demand a reader’s attention; and 3) I think I was under a compulsion spell.

I am thrilled that Pitts is working on Sarah Beauhall #4, because Forged in Fire opened up a whole slew of new questions, introduced new characters, started a new quest for our favorite modern day blacksmith. Maybe Pitts is working on it right now! I think I’d be satisfied enough as long as he doesn’t take George R.R. Martin gaps to write the next installation. Wouldn’t that just be the best! In the meantime, I’ll be dreaming of dragons. And drinking coffee at Monkey Grind Espresso in Seattle…

I'm ready for more badass dragons!

I’m ready for more badass dragons! …And Sarah Beauhall.